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Sunday, July 6. 2008All Them Heavy People...
On The Radio: Drift ~ 'Ember (Remember)'
![]() A bit of this and that for Sunday.... Enjoy! Gwyllm _______________ On The Menu: Zen Quotes The Links War Is A Racket....Part 2 Spiritual Teachings Concealed?: Kate Bush Art: Ernst Fuchs ______________ I found this list... Though it says Zen Quotes, it throws a wider net - G Zen Quotes: Whatever is material shape, past, future, present, subjective or objective, gross or subtle, mean or excellent, whether it is far or near — all material shape should be seen by perfect intuitive wisdom as it really is: "This is not mine, this I am not, this is not my self." Whatever is feeling, whatever is perception, whatever are habitual tendencies, whatever is consciousness, past, future, present, subjective or objective, gross or subtle, mean or excellent, whether it is far or near — all should be seen by perfect intuitive wisdom as it really is: "This is not mine, this I am not, this is not my self." ...Gautama Externally keep yourself away from all relationships, and internally have no paintings in your heart; when your mind is like unto a straight-standing wall, you may enter into the Path....Bodhidharma Just think of the trees: they let the birds perch and fly, with no intention to call them when they come and no longing for their return when they fly away. If people's hearts can be like the trees, they will not be off the Way. One single still light shines bright: if you intentionally pursue it, after all it's hard to see. Suddenly encountering it, people's hearts are opened up, and the great matter is clear and done. This is really living, without any fetters -- no amount of money could replace it. Even if a thousand sages should come, they would all appear in it's shadow....Chuzhen When you're deluded, every statement is an ulcer; when you're enlightened, every word is wisdom....Zhiqu The living meaning of Zen is beyond all notions. To realize it in a phrase is completely contrary to the subtle essence; we cannot avoid using words as expedients, though, but this has limitations. Needless to say, of course, random talk is useless. Nonetheless, the matter is not one-sided, so we temporarily set forth a path in the way of teaching, to deal with people....Qingfu Neither is there Bodhi-tree, Nor yet a mirror bright; Since in reality all is void, Whereon can the dust fall?....Hui Neng He who wherever he goes is attached to no person and to no place by ties of flesh; who accepts good and evil alike, neither welcoming the one nor shrinking from the other — take it that such a one has attained Perfection. ..."Bhagavad-Gita" The mind that does not understand is the Buddha. There is no other.... Ma-Tsu. You cannot describe it or draw it. You cannot praise it enough or perceive it. No place can be found in which to put the Original Face; it will not disappear even when the universe is destroyed....Mumon. No thought, no reflection, no analysis, no cultivation, no intention; let it settle itself....Tilopa. When you pass through, no one can pin you down, no one can call you back....Ying-An. ______________ The Links: Stone-Age Concert Hall? The evolution of a conspiracy theory Why Fly When You Could Float? Gigantic Sand Art! ______________ ![]() ______________ I promised to continue with this several weeks ago... duh... here it is-G G War Is A Racket....Part 2 ![]() CHAPTER TWO WHO MAKES THE PROFITS? The World War, rather our brief participation in it, has cost the United States some $52,000,000,000. Figure it out. That means $400 to every American man, woman, and child. And we haven't paid the debt yet. We are paying it, our children will pay it, and our children's children probably still will be paying the cost of that war. The normal profits of a business concern in the United States are six, eight, ten, and sometimes twelve percent. But war-time profits – ah! that is another matter – twenty, sixty, one hundred, three hundred, and even eighteen hundred per cent – the sky is the limit. All that traffic will bear. Uncle Sam has the money. Let's get it. Of course, it isn't put that crudely in war time. It is dressed into speeches about patriotism, love of country, and "we must all put our shoulders to the wheel," but the profits jump and leap and skyrocket – and are safely pocketed. Let's just take a few examples: Take our friends the du Ponts, the powder people – didn't one of them testify before a Senate committee recently that their powder won the war? Or saved the world for democracy? Or something? How did they do in the war? They were a patriotic corporation. Well, the average earnings of the du Ponts for the period 1910 to 1914 were $6,000,000 a year. It wasn't much, but the du Ponts managed to get along on it. Now let's look at their average yearly profit during the war years, 1914 to 1918. Fifty-eight million dollars a year profit we find! Nearly ten times that of normal times, and the profits of normal times were pretty good. An increase in profits of more than 950 per cent. Take one of our little steel companies that patriotically shunted aside the making of rails and girders and bridges to manufacture war materials. Well, their 1910-1914 yearly earnings averaged $6,000,000. Then came the war. And, like loyal citizens, Bethlehem Steel promptly turned to munitions making. Did their profits jump – or did they let Uncle Sam in for a bargain? Well, their 1914-1918 average was $49,000,000 a year! Or, let's take United States Steel. The normal earnings during the five-year period prior to the war were $105,000,000 a year. Not bad. Then along came the war and up went the profits. The average yearly profit for the period 1914-1918 was $240,000,000. Not bad. There you have some of the steel and powder earnings. Let's look at something else. A little copper, perhaps. That always does well in war times. Anaconda, for instance. Average yearly earnings during the pre-war years 1910-1914 of $10,000,000. During the war years 1914-1918 profits leaped to $34,000,000 per year. Or Utah Copper. Average of $5,000,000 per year during the 1910-1914 period. Jumped to an average of $21,000,000 yearly profits for the war period. Let's group these five, with three smaller companies. The total yearly average profits of the pre-war period 1910-1914 were $137,480,000. Then along came the war. The average yearly profits for this group skyrocketed to $408,300,000. A little increase in profits of approximately 200 per cent. Does war pay? It paid them. But they aren't the only ones. There are still others. Let's take leather. For the three-year period before the war the total profits of Central Leather Company were $3,500,000. That was approximately $1,167,000 a year. Well, in 1916 Central Leather returned a profit of $15,000,000, a small increase of 1,100 per cent. That's all. The General Chemical Company averaged a profit for the three years before the war of a little over $800,000 a year. Came the war, and the profits jumped to $12,000,000. a leap of 1,400 per cent. International Nickel Company – and you can't have a war without nickel – showed an increase in profits from a mere average of $4,000,000 a year to $73,000,000 yearly. Not bad? An increase of more than 1,700 per cent. American Sugar Refining Company averaged $2,000,000 a year for the three years before the war. In 1916 a profit of $6,000,000 was recorded. Listen to Senate Document No. 259. The Sixty-Fifth Congress, reporting on corporate earnings and government revenues. Considering the profits of 122 meat packers, 153 cotton manufacturers, 299 garment makers, 49 steel plants, and 340 coal producers during the war. Profits under 25 per cent were exceptional. For instance the coal companies made between 100 per cent and 7,856 per cent on their capital stock during the war. The Chicago packers doubled and tripled their earnings. And let us not forget the bankers who financed the great war. If anyone had the cream of the profits it was the bankers. Being partnerships rather than incorporated organizations, they do not have to report to stockholders. And their profits were as secret as they were immense. How the bankers made their millions and their billions I do not know, because those little secrets never become public – even before a Senate investigatory body. But here's how some of the other patriotic industrialists and speculators chiseled their way into war profits. Take the shoe people. They like war. It brings business with abnormal profits. They made huge profits on sales abroad to our allies. Perhaps, like the munitions manufacturers and armament makers, they also sold to the enemy. For a dollar is a dollar whether it comes from Germany or from France. But they did well by Uncle Sam too. For instance, they sold Uncle Sam 35,000,000 pairs of hobnailed service shoes. There were 4,000,000 soldiers. Eight pairs, and more, to a soldier. My regiment during the war had only one pair to a soldier. Some of these shoes probably are still in existence. They were good shoes. But when the war was over Uncle Sam has a matter of 25,000,000 pairs left over. Bought – and paid for. Profits recorded and pocketed. There was still lots of leather left. So the leather people sold your Uncle Sam hundreds of thousands of McClellan saddles for the cavalry. But there wasn't any American cavalry overseas! Somebody had to get rid of this leather, however. Somebody had to make a profit in it – so we had a lot of McClellan saddles. And we probably have those yet. Also somebody had a lot of mosquito netting. They sold your Uncle Sam 20,000,000 mosquito nets for the use of the soldiers overseas. I suppose the boys were expected to put it over them as they tried to sleep in muddy trenches – one hand scratching cooties on their backs and the other making passes at scurrying rats. Well, not one of these mosquito nets ever got to France! Anyhow, these thoughtful manufacturers wanted to make sure that no soldier would be without his mosquito net, so 40,000,000 additional yards of mosquito netting were sold to Uncle Sam. There were pretty good profits in mosquito netting in those days, even if there were no mosquitoes in France. I suppose, if the war had lasted just a little longer, the enterprising mosquito netting manufacturers would have sold your Uncle Sam a couple of consignments of mosquitoes to plant in France so that more mosquito netting would be in order. Airplane and engine manufacturers felt they, too, should get their just profits out of this war. Why not? Everybody else was getting theirs. So $1,000,000,000 – count them if you live long enough – was spent by Uncle Sam in building airplane engines that never left the ground! Not one plane, or motor, out of the billion dollars worth ordered, ever got into a battle in France. Just the same the manufacturers made their little profit of 30, 100, or perhaps 300 per cent. Undershirts for soldiers cost 14¢ [cents] to make and uncle Sam paid 30¢ to 40¢ each for them – a nice little profit for the undershirt manufacturer. And the stocking manufacturer and the uniform manufacturers and the cap manufacturers and the steel helmet manufacturers – all got theirs. Why, when the war was over some 4,000,000 sets of equipment – knapsacks and the things that go to fill them – crammed warehouses on this side. Now they are being scrapped because the regulations have changed the contents. But the manufacturers collected their wartime profits on them – and they will do it all over again the next time. There were lots of brilliant ideas for profit making during the war. One very versatile patriot sold Uncle Sam twelve dozen 48-inch wrenches. Oh, they were very nice wrenches. The only trouble was that there was only one nut ever made that was large enough for these wrenches. That is the one that holds the turbines at Niagara Falls. Well, after Uncle Sam had bought them and the manufacturer had pocketed the profit, the wrenches were put on freight cars and shunted all around the United States in an effort to find a use for them. When the Armistice was signed it was indeed a sad blow to the wrench manufacturer. He was just about to make some nuts to fit the wrenches. Then he planned to sell these, too, to your Uncle Sam. Still another had the brilliant idea that colonels shouldn't ride in automobiles, nor should they even ride on horseback. One has probably seen a picture of Andy Jackson riding in a buckboard. Well, some 6,000 buckboards were sold to Uncle Sam for the use of colonels! Not one of them was used. But the buckboard manufacturer got his war profit. The shipbuilders felt they should come in on some of it, too. They built a lot of ships that made a lot of profit. More than $3,000,000,000 worth. Some of the ships were all right. But $635,000,000 worth of them were made of wood and wouldn't float! The seams opened up – and they sank. We paid for them, though. And somebody pocketed the profits. It has been estimated by statisticians and economists and researchers that the war cost your Uncle Sam $52,000,000,000. Of this sum, $39,000,000,000 was expended in the actual war itself. This expenditure yielded $16,000,000,000 in profits. That is how the 21,000 billionaires and millionaires got that way. This $16,000,000,000 profits is not to be sneezed at. It is quite a tidy sum. And it went to a very few. The Senate (Nye) committee probe of the munitions industry and its wartime profits, despite its sensational disclosures, hardly has scratched the surface. Even so, it has had some effect. The State Department has been studying "for some time" methods of keeping out of war. The War Department suddenly decides it has a wonderful plan to spring. The Administration names a committee – with the War and Navy Departments ably represented under the chairmanship of a Wall Street speculator – to limit profits in war time. To what extent isn't suggested. Hmmm. Possibly the profits of 300 and 600 and 1,600 per cent of those who turned blood into gold in the World War would be limited to some smaller figure. Apparently, however, the plan does not call for any limitation of losses – that is, the losses of those who fight the war. As far as I have been able to ascertain there is nothing in the scheme to limit a soldier to the loss of but one eye, or one arm, or to limit his wounds to one or two or three. Or to limit the loss of life. There is nothing in this scheme, apparently, that says not more than 12 per cent of a regiment shall be wounded in battle, or that not more than 7 per cent in a division shall be killed. Of course, the committee cannot be bothered with such trifling matters. ________________________ ![]() ________________________ I first became familiar with Kate back in 1977 when I was living in London. She struck me as a singular, and very unique talent. Beautiful to boot, I learned about her primarily through Mary who had shared dance classes with Kate from the mid-70's. (Mary has some of the best tales of London!)-G Spiritual Teachings Concealed?: Kate Bush Them Heavy People Them Heavy People Rolling the ball, rolling the ball, rolling the ball to me They arrived at an inconvienient time I was hiding in a room in my mind They made me look at myself I saw it well, I'd shut the people out of my life So now I take the opportunities Wonderful teachers ready to teach me I must work on my mind For now I realize that everyone of us Has a heaven inside (Chorus) Them heavy people hit me in a soft spot Them heavy people help me Them heavy people hit me in a soft spot Rolling the ball, rolling the ball, rolling the ball to me They open doorways that I thought were shut for good They read me Gurdjieff and Jesu They build up my body Break me emotionally, it's nearly killing me But what a lovely feeling! I love the whirling of the Dervishes I love the beauty of rare innocence You don't need no crystal ball Don't fall for a magic wand We humans got it all, we perform the miracles (Chorus) --- Cloud Bursting Cloud Bursting I still dream of algernon. I wake up crying. Youre making rain, And youre just in reach, When you and sleep escape me. Youre like my yo-yo That glowed in the dark. What made it special Made it dangerous, So I bury it And forget. But every time it rains, Youre here in my head, Like the sun coming out-- Ooh, I just know that something good is going to happen. And I dont know when, But just saying it could even make it happen. On top of the world, Looking over the edge, You could see them coming. You looked too small In their big, black car, To be a threat to the men in power. I hid my yo-yo In the garden. I cant hide you From the government. Oh, god, daddy-- I wont forget, cause every time it rains, Youre here in my head, Like the sun coming out-- Ooh, I just know that something good is going to happen. And I dont know when, But just saying it could even make it happen. The suns coming out. Your sons coming out. ---- The Sensual World The Sensual World Mmh, yes, Then Id taken the kiss of seedcake back from his mouth Going deep south, go down, mmh, yes, Took six big wheels and rolled our bodies Off of howth head and into the flesh, mmh, yes, He said I was a flower of the mountain, yes, But now Ive powers oer a womans body, yes. Stepping out of the page into the sensual world. Stepping out... To where the water and the earth caress And the down of a peach says mmh, yes, Do I look for those millionaires Like a machiavellian girl would When I could wear a sunset? mmh, yes, And how wed wished to live in the sensual world You dont need words--just one kiss, then another. Stepping out of the page into the sensual world Stepping out, off the page, into the sensual world. And then our arrows of desire rewrite the speech, mmh, yes, And then he whispered would i, mmh, yes, Be safe, mmh, yes, from mountain flowers? And at first with the charm around him, mmh, yes, He loosened it so if it slipped between my breasts Hed rescue it, mmh, yes, And his spark took life in my hand and, mmh, yes, I said, mmh, yes, But not yet, mmh, yes, Mmh, yes. ________________
Saturday, July 5. 2008The Cloud Messenger...July 5th.... The 4th came and went, we stayed at home (whilst Rowan went to the Blues Festival again. He is heading down to the Oregon Country Faire with friends this week-end, trying out those new wings for 3 days. If you see him there... say hi! Rik and Christel over in the South of France sent him the obligatory beret for graduation this weekend! He looks good in it! Wacked my back again, muscles or something today. argh. This runs interference with life altogether. I now have a facebook account... check for me with a search for Gwyllm Llwydd... John Archdeacon, and many others are on there as well. Working on the new Magazine, and uploading, loads of music to the radio station. We will start having radio shows again soon... Picked up 'Endogenous Sun' from the muralist exhibit Tuesday. Getting it cleaned up from where someone spilt coffee or dirty water over it .... argh. Anyway, it looks like it may have found a home... I will keep you posted. Have a good weekend! Bright Blessings, Gwyllm ______________ On The Menu: L'Ham de Foc - Husseyni Azeri The Cloud Messenger (Parts 1 thru 4) Ham de Foc - Concert a la ciutat de València The Poetry Of Ancient India: Kalidasa Kalidasa Bio L' Ham de Foc- el Que vull __________________ L'Ham de Foc - Husseyni Azeri ___________________ The Cloud Messenger - Part 01 ![]() A certain yaksha who had been negligent in the execution of his own duties, on account of a curse from his master which was to be endured for a year and which was onerous as it separated him from his beloved, made his residence among the hermitages of Ramagiri, whose waters were blessed by the bathing of the daughter of Janaka1 and whose shade trees grew in profusion. That lover, separated from his beloved, whose gold armlet had slipped from his bare forearm, having dwelt on that mountain for some months, on the first day of the month of Asadha, saw a cloud embracing the summit, which resembled a mature elephant playfully butting a bank. Managing with difficulty to stand up in front of that cloud which was the cause of the renewal of his enthusiasm, that attendant of the king of kings, pondered while holding back his tears. Even the mind of a happy person is excited at the sight of a cloud. How much more so, when the one who longs to cling to his neck is far away? As the month of Nabhas was close at hand, having as his goal the sustaining of the life of his beloved and wishing to cause the tidings of his own welfare to be carried by the cloud, the delighted being spoke kind words of welcome to the cloud to which offerings of fresh kutaja flowers had been made. Owing to his impatience, not considering the imcompatibility between a cloud consisting of vapour, light, water and wind and the contents of his message best delivered by a person of normal faculties, the yaksha made this request to the cloud, for among sentient and non-sentient things, those afflicted by desire are naturally miserable: Without doubt, your path unimpeded, you will see your brother’s wife, intent on counting the days, faithful and living on. The bond of hope generally sustains the quickly sinking hearts of women who are alone, and which wilt like flowers. Just as the favourable wind drives you slowly onward, this cataka cuckoo, your kinsman, calls sweetly on the left. Knowing the season for fertilisation, cranes, like threaded garlands in the sky, lovely to the eye, will serve you. Your steady passage observed by charming female siddhas who in trepidation wonder ‘Has the summit been carried off the mountain by the wind?’, you who are heading north, fly up into the sky from this place where the nicula trees flourish, avoiding on the way the blows of the trunks of the elephants of the four quarters of the sky. This rainbow, resembling the intermingled sparkling of jewels, appears before Mt Valmikagra, on account of which your dark body takes on a particular loveliness, as did the body of Vishnu dressed as a cowherd with the peacock’s feather of glistening lustre. While being imbibed by the eyes of the country women who are ignorant of the play of the eyebrows, who are tender in their affection, and who are thinking ‘The result of the harvest depends on you’, having ascended to a region whose fields are fragrant from recent ploughing, you should proceed a little to the west. Your pace is swift. Go north once more. Mt Amrakuta will carefully bear you upon its head—you whose showers extinguished its forest fires and who are overcome by fatigue of the road. Even a lowly being, remembering an earlier kind deed, does not turn its back on a friend who has come for refuge; how much less, then, one so lofty? When you, remembling a glossy braid of hair, have ascended its summit, the mountain whose slopes are covered with forest mangoes, glowing with ripe fruit, takes on the appearance of a breast of the earth, dark at the centre, the rest pale, worthy to be beheld by a divine couple. Having rested for a moment at a bower enjoyed by the forest-dwelling women, then travelling more swiftly when your waters have been discharged, the next stage thence is crossed. You will see the river Reva spread at the foot of Mt Vandhya, made rough with rocks and resembling the pattern formed by the broken wrinkles on the body of an elephant. Your showers shed, having partaken of her waters that are scented with the fragrant exudation of forest elephants and whose flow is impeded by thickets of rose-apples, you should proceed. Filled with water, the wind will be unable to lift you, O cloud, for all this is empty is light, while fullness results in heaviness. Seeing the yellow-brown nipa with their stamens half erect, eating the kankali flowers whose first buds have appeared on every bank, and smelling the highly fragrant scent of the forest earth, the deer will indicate the way to the cloud. Watching the cataka cuckoos that are skilled in catching raindrops, and watching the herons flying in skeins as they count them, the siddhas will hold you in high regard at the moment of your thundering, having received the trembling, agitated embraced of their beloved female companions! I perceive in an instant, friend, your delays on mountain after mountain scented with kakubha flowers—you who should desire to proceed for the sake of my beloved. Welcomed by peacocks with teary eyes who have turned their cries into words of welcome, you should somehow resolve to proceed at once. Reaching their capital by the name of Vidisha, renowned in all quarters, and having won at once complete satisfaction of your desires, you will drink the sweet, rippling water from the Vetravati River which roars pleasantly at the edge of her banks, rippling as if her face bore a frown. There, for the sake of rest, your should occupy the mountain known as Nicaih which seems to thrill at your touch with its full-blown kadamba flowers, and whose grottoes make known the unbridled youthful deeds of the townsmen by emitting the scent of intercourse with bought women. After resting, move on while watering with fresh raindrops the clusters of jasmine buds that grow in gardens on the banks of the forest rivers—you who have made a momentary acquaintance with the flower-picking girls by lending shade to their faces, the lotuses at whose ears are withered and broken as they wipe away the perspiration from their cheeks. Even though the route would be circuitous for one who, like you, is northward-bound, do not turn your back on the love on the palace roofs in Ujjayini. If you do not enjoy the eyes with flickering eyelids of the women startled by bolts of lightning there, then you have been deceived! On the way, after you have ascended to the Nirvandhya River, whose girdles are flocks of birds calling on account of the turbulence of her waves, whose gliding motion is rendered delightful with stumbling steps, and whose exposed navel is her eddies, fill yourself with water, for amorous distraction is a woman’s first expression of love for their beloved. When you have passed that, you should duly adopt the means by which the Sindhu River may cast off her emaciation—she whose waters have become like a single braid of hair, whose complexion is made pale by the old leaves falling from the trees on her banks, and who shows you goodwill because she has been separated from you, O fortunate one. Having reached Avanti where the village elders are well-versed in the legend of Udayana, make your way to the aforementioned city of Vishala, filled with splendour, like a beautiful piece of heaven carried there by means of the remaining merit of gods who had fallen to earth when the fruits of the good actions had nearly expired; Where, at daybreak, the breeze from the Shipra River, carrying abroad the sweet, clear, impassioned cries of the geese, fragrant from contact with the scent of full-blown lotuses and pleasing to the body, carries off the lassitude of the women after their love-play, like a lover making entreaties for further enjoyment. And having see by the tens of millions the strings of pearls with shining gems as their central stones, conches, pearl-shells, emeralds as green as fresh grass with radiating brilliance and pieces of coral displayed in the market there, the oceans appear to contain nothing but water; And where the knowledgeable populace regale visiting relatives thus: ‘Here the king of the Vatsa brought the precious daughter of Pradyota. Here was the golden grove of tala-trees of that same monarch. Here, they say, roamed Nalagiri (the elephant), having pulled out his tie-post in fury.’ Your bulk increased by the incense that is used for perfuming the hair that issues from the lattices, and honoured with gifts of dance by the domestic peacocks out of their love for their friend, lay aside the weariness of the travel while admiring the splendour of its palaces which are scented with flowers and marked by the hennaed feet of the lovely women. Observed respectfully by divine retinues who are reminded of the colour of their master’s throat, you should proceed to the holy abode of the lord of the three worlds, husband of Chandi, whose gardens are caressed by the winds from the Gandhavati River, scented with the pollen of the blue lotuses and perfumed by the bath-oils used by young women who delight in water-play. Even if you arrive at Mahakala at some other time, O cloud, you should wait until the sun passes from the range of the eye. Playing the honourable role of drum at the evening offering to Shiva, you will receive the full reward for your deep thunder. There, their girdles jingling to their footsteps, and their hands tired from the pretty waving of fly-whisks whose handles are brilliant with the sparkle of jewels, having received from you raindrops at the onset of the rainy season that soothe the scratches made by fingernails, the courtesans cast you lingering sidelong glances that resemble rows of honey-bees. Then, settled above the forests whose trees are like uplifted arms, being round in shape, producing an evening light, red as a fresh China-rose, at the start of Shiva’s dance, remove his desire for a fresh elephant skin—you whose devotion is beheld by Parvati, her agitation stilled and her gaze transfixed. Reveal the ground with a bolt of lightning that shines like a streak of gold on a touchstone to the young women in that vicinity going by night to the homes of their lovers along the royal highroad which has been robbed of light by a darkness that could be pricked with a needle. Withhold your showers of rain and rumbling thunder: they would be frightened! Passing that night above the roof-top of a certain house where pigeons sleep, you, whose consort the lightning is tired by prolonged sport, should complete the rest of your journey when the sun reappears. Indeed, those who have promised to accomplish a task for a friend do not tarry. At that time, the tears of the wronged wives are to be soothed away by their husbands. Therefore abandon at once the path of the sun. He too has returned to remove the tears of dew from the lotus-faces of the lilies. If you obstruct his rays, he may become greatly incensed. --- The Cloud Messenger - Part 02 ![]() Your naturally beautiful reflection will gain entry into the clear waters of the Gambhira River, as into a clear mind. Therefore it is not fitting that you, out of obstinancy, should render futile her glances which are the darting leaps of little fish, as white as night-lotus flowers. Removing her blue garment which is her water, exposing her hips which are her banks, it is clutched by cane-branches as if grasped by her hands. Departure will inevitably be difficult for you who tarries, O friend. Who, having experienced enjoyment, is able to forsake another whose loins are laid bare? A cool breeze, grown pleasant through contact with the scent of the earth refreshed by your showers, which is inhaled by elephants with a pleasing sound at their nostrils, and which is the ripener of wild figs in the forest, gently fans you who desire to proceed to Devagiri. There, you, taking the form of a cloud of flowers, should bathe Skanda, who always resides there, with a shower of flowers, wet with the water of the heavenly Ganges. For he is the energy surpassing the sun, that was born into the mouth of the fire by the bearer of the crescent moon6 for the purpose of protecting the forces of of the sons of Indra. Then, with claps of thunder, magnified by their own echoes, you should cause to dance the peacock of the son of Agni, the corners of whose eyes are bathed by the light of the crescent moon at the head of Shiva and whose discarded tail-feather, ringed by rays of light, Parvati placed behind her ear, next to the petal of the blue lotus, out of her love for her son. Having worshipped that god born in a reedbed, after you have travelled further, your route abandoned by siddha-couples carrying lutes because they fear rain-drops, you should descend while paying homage to the glory of Randideva, born from the slaughter of the daughter of Surabhi, and who arose on earth in the form or a river. When you, the robber of the complexion of bearer of the bow Sharnga, stoop to drink the water of that river, which is broad but appears narrow from a distance, those who range the skies, when they look down, will certainly see that the stream resembles a single string of pearls on the earth, enlarged at its centre with a sapphire. Having crossed the river, go on, making yourself into a form worthy of the curiosity of the eyes of the women of Dashapura, adept in the amorous play of their tendril-like eyebrows, whose dark and variageted brilliance flashes up at the fluttering of their eyelashes, and whose splendour has been stolen from the bees attendant on tossing kunda flowers. Then, entering the district of Brahmavarta, accompanied by your shadow, you should proceed to the plain of the Kurus, evocative of the battle of the warriors, where the one whose bow is Gandiva brought down showers of hundreds of sharp arrows, just as you bring down showers of rain on the faces of the lotuses. Having partaken of the waters of the Sarasvati which were enjoyed by the bearer of the plough who was averse to war on account of his love for his kinsfolk, after he had forsaken the wine of agreeable flavour which was marked by the reflection of Revati’s eyes, you, friend, will be purified within: only your colour will be black. From there you should go to the daughter of Jahnu above the Kanakhula mountains, where she emerges from the Himalaya, who provided a flight of steps to heaven for the sons of Sagara, and who laughing with her foam at the frown on the face of Gauri, made a grab at the hair of Shambhu and clasped his crescent moon with her wave-hands. If you, like an elephant of the gods, your front partly inclining down from the sky to drink her waters which are pure as crystal, in an instrant, because of your reflection on her gliding current, she would become very lovely, as if united with the Yamuna in second location. Having reached the mountain which is the source of that very river, whose crags are made fragrant with the scent of the musk of the deer that recline there, white with snow, reposing on the summit which dispells the fatigue of travel, you will take on the splendour like that of the white soil cast up by the bull of the three-eyed one. If, when the wind is blowing, a forest fire were to afflict the mountain, ignited by the friction of branches of the sarala trees, burning with its flames the tailhairs of the yaks, it would befit you to extinguish it completely with thousands of torrents of water, for the resources of the great have as their fruit the alleviation of those who suffer misfortune. The sharabha there, intent on springing in anger at you who departs from their path, would lunge at you, only to break their own limbs. You should cover them with a tumultuous storm of hail and rain. Who, intent upon a fruitless endeavour, would not be the object of contempt? There, with your body bowed in devotion, you should circumambulate the foot-print of the one wears the half-moon diadem, which is continually heaped with offerings from ascetics, and at the sight of which, at their departure from the bodies, cleansed of their misdeeds, the faithful are able to achieve the immuteable state of membership of Shiva’s following. The bamboo canes filled with the wind sound sweetly. Victory over the three cities is celebrated in song by the Kinnari demi-gods. If your rumbling like a muraja drum resounds in the caves, the theme of a concert for Shiva will be complete. Having passed various features on the flanks of the Himalayas, proceed thence north to Krauncarandhra, gateway for wild geese, which was the route to glory for Bhrgupati—you whose beautiful form is flat and long, like the dark blue foot of Vishnu uplifted for the suppression of Bali. And having gone further, become the guest of Mt Kailasa, the seams of whose peaks were rent by the arms of the ten-faced one and which is a mirror for the consorts of the Thirty Gods, and which, extending with lofty peaks like white lotuses, stands in the sky like the loud laughter of the three-eyed one accumulated day by day. I foresee that when you, resembling glossy powdered kohl, reach the foot of that mountain as white as a freshly cut piece of ivory, the imminent beauty will be fit to be gazed upon with an unerring eye, like the dark blue garment placed on the shoulder of the plough-carrier. And if Gauri should take a walk on the foot of that pleasure-hill, lent a hand by Shiva who has set aside his serpent-bracelet, your shape transformed into a flight of steps, your torrents of water withheld within yourself, become a stairway rising in front of her for the ascent of the jewel-slopes. There the young women of the gods will use you as a shower—you whose waters are brought forth by the striking together of the diamonds in their bracelets. If, friend, you were unable to release yourself from them, being encountered in the hot season, startle them who are intent on playing with you, with claps of thunder, harsh to the ear. Partaking of the waters of Manasa which bring forth golden lotuses, bringing at pleasure momentary delight like a cloth upon the face of Airavata, shaking with your winds the sprouts of wish-fulfilling trees like garments, enjoy the king of mountains with various playful actions, O cloud. Once you, who wander at will, have seen Alaka seated in the lap of the mountain like a lover, with the Ganges like a garment that has slipped, you will not fail to recognise her again with her lofty palaces and bearing hosts of clouds with showers of rain at the time of year when you are present, resembling a woman whose tresses are interwoven with strings of pearls. --- The Cloud Messenger - Part 03 ![]() Where the palaces are worthy of comparison to you in these various aspects: you possess lightning, they have lovely women; you have a rainbow, they are furnished with pictures; they have music provided by resounding drums, you produce deep, gentle rumbling; you have water within, they have floors made of gemstones; you are lofty, their rooftops touch the sky; Where there are decorative lotuses in the hands of the young wives; fresh jasmine woven into their hair; where the beauty of their faces is made whiter by the pollen of lodhra flowers; in the thick locks on their crowns are fresh kurubaka flowers; on their ears charming shirisa flowers; and on the parting of their hair, nipa flowers that bloom on your arrival; Where the trees, humming with intoxicated bees, are always in flower; the lily pools, having rows of wild geese as waistbands, always produce lotuses; where the tails of the tame peacocks, their necks upstretched to cry out, are always resplendent; and where the evenings are perpetually moonlit and pleasant, and darkness has been banished; Where the tears of the lords of wealth are of utmost joy, having no other cause, there being no suffering other than that caused by the flower-arrowed god which is to be assuaged by union with the desired one; where there is separation other than that arising from lovers’ quarrels; and where there is indeed no age other than youth; Where yakshas, having assembled on the upper terraces of the palace, made of crystal, accompanied by their excellent womenfolk, enjoy ratiphalam wine produced by a wish-fulfilling tree, while drums whose sound resembles your deep thunder are beaten softly; Where the girls fanned by breezes cooled by the waters of the Mandakini river, the heat dispelled by the shade of the mandara trees that grow on its banks, are urges by the gods to play with jewels hidden by burying them with clenched fists in the golden sands and which are to be searched for; Where the handfuls of powder flung by those red-lipped women bewildered by shame when their lovers passionately pull away their linen garments, the ties of which have been loosened and undone by restless hands, although they reach the long-rayed jewel-lamps, they fail to extinguish them; Where ragged clouds, like yourself, brought to the upper stories of the palaces by the leader of the wind, having committed the misdeed of shedding raindrops on a painting, cleverly imitating puffs of smoke, flee immediately by way of the lattices as if filled with dread; Where at night the moonstones, hanging from a web of threads and shedding full drops of water under the influence of moonbeams bright since the removal of your obstruction, dispel the physical langour after sexual enjoyment on the part of the women who are freed from the embraces of their lovers’ arms; Where lovers, with inexhaustible treasure their residences, together with the kinnaras who sing with sweet voices of the glory of the lord of wealth, accompanied by celestial courtesans, engage in conversation and enjoy everyday the outer grove known as Vaibhraja; Where at sunrise the route taken by women the previous night is indicated by mandara flowers with torn petals that were shaken from their hair by the movement of their walking, by the golden lotuses that slipped from behind their ears, and by necklaces of strings of pearls the threads of which broke upon their breasts; Where a single wish-fulfilling tree produces every adornment for women: coloured garments, wine which is suitable for introducing an amorous playfulness to the eyes, flowers together with buds which are distinctive among ornaments, and red lac dye suitable for application to their lotus-like feet; Where horses, as dark as leaves, rival the steeds of the sun; where elephants, as tall as mountains, pour forth showers, like you, from the pores of their temples; and where the foremost warriors stood in battle against the ten-faced one, the splendour of their ornmanets surpassed by the scars of the wounds from Candrahasa; Where the god of love does not generally carry his bow strung with bees, knowing that the god who is the friend of the lord of wealth dwells there in person: his task is accomplished by the amorous play of talented women whose glances are cast by means of curved eyebrows and which are not in vain among the objects of their desire. There, to the north of the residence of the lord of wealth, our home is to be recognised from afar by an arched portal as lovely as a rainbow, near which a young mandara tree, caused to bow down by bunches of flowers that may be touched by the hand, is cherished by my beloved like an adopted son. And within is a pool the steps of which are studded with emerald stone, filled with flowering golden lotuses whose stalks are of smooth chrysoberyl. On its waters the geese that have take up residence there do not think of Lake Manas close at hand, and are free from sorrow, having seen you. On its bank there is a pleasure hill whose summit is studded with fine sapphires, beautiful to behold with a hedge of golden plantain trees. Having seen you, O friend, with flashing lightning, near at hand, I recall that mountain with a despondent mind, thinking, ‘It is enjoyed by my spouse’. Here is a red ashoka with trembling buds and a charming kesara near a hedge of kurubaka and a bower of madhavi. One desires (as I do) the touch of your friend’s left foot. The other longs for a mouthful of wine from her, having as its pretext a craving. And between these is a golden perch with a crystal base, studded at its foot with gems that shine like half-grown bamboo, on which rests your friend the blue-necked one, who, at the day’s end, is caused to dance by my beloved with claps of her hands, made pleasant by the jingling of her bracelets. Having seen the figures of Shanka and Padma painted near the door, by these signs preserved in yout heart, O noble one, you may distinguish the residence, now reduced in beauty because of my absence. Indeed, at the setting of the sun, even the lotus does not display its own splendour. Having shrunk at once to the size of a small elephant for the sake of a swift descent, resting on the pleasure mountain with lovely peaks that I have mentioned, please cast your gaze in the form of a flickering bolt of faint lightning upon the interior of the house, like the glow of a swarm of fire-flies. --- The Cloud Messenger - Part 04 ![]() The slender young woman who is there would be the premier creation by the Creator in the sphere of women, with fine teeth, lips like a ripe bimba fruit, a slim waist, eyes like a startled gazelle’s, a deep navel, a gait slow on account of the weight of her hips, and who is somewhat bowed down by her breasts. You should know that she whose words are few, my second life, is like a solitary female cakravaka duck when I, her mate, am far away. While these weary days are passing, I think the girl whose longing is deep has taken on an altered appearance, like a lotus blighted by frost. Surely the face of my beloved, her eyes swollen from violent weeping, the colour of her lower lip changed by the heat of her sighs, resting upon her hand, partially hidden by the hanging locks of her hair, bears the miserable appearance of the moon with its brightness obscured when pursued by you. She will come at once into your sight, either engaged in pouring oblations, or drawing from memory my portrait, but grown thin on account of separation, or asking the sweet-voiced sarika bird in its cage, ‘I hope you remember the master, O elegant one, for you are his favourite’; Or having placed a lute on a dirty cloth on her lap, friend, wanting to sing a song whose words are contrived to contain my name, and somehow plucking the strings wet with tears, again and again she forgets the melody, even though she composed it herself; Or engaged in counting the remaining months set from the day of our separation until the end by placing flowers on the ground at the threshold, or enjoying acts of union that are preserved in her mind. These generally are the diversions of women when separated from their husbands. During the day, when she has distractions, separation will not torment her so much. I fear that your friend will have greater suffering at night without distraction. You who carry my message, positioned above the palace roof-top, see the good woman at midnight, lying on the ground, sleepless, and cheer her thoroughly. Grown thin with anxiety, lying on one side on a bed of separation, resembling the body of the moon on the eastern horizon when only one sixteenth part remains, shedding hot tears, passing that night, lengthened by separation, which spent in desired enjoyments in company with me would have passed in an instant. Covering with eyelashes heavy with tears on account of her sorrow, her eyes which were raised to face the rays of the moon, which were cool with nectar and which entered by way of the lattice, fall again on account of her previous love, like a bed of land-lotuses on an overcast day, neither open nor closed. She whose sighs that trouble her bud-like lower lip will surely be scattering the locks of her hair hanging at her cheek, dishevelled after a simple bath, thinking how enjoyment with me might arise even if only in a dream, yearning for sleep, the opportunity for which is prevented by the affliction of tears; She who is repeatedly pushing from the curve of her cheek with her hand whose nails are unkempt, the single braid, plaited by me, stripped of its garland, on the first day of our separation, which will be loosened by me when I am free from sorrow at the expiry of the curse, and which is rough to the touch, stiff, and hard. That frail woman, supporting her tender body which he has laid repeatedly in great suffering on a couch, will certainly cause even you to shed tears in the form of fresh rain. Generally all tender-hearted beaing have a compassionate disposition. I know that the mind of your friend is filled with accumulated love for me. On account of that I imagine her condition thus at our first separation. Even the thought of my good fortune does not make me feel like talking. All that I have said, brother, will be before your eyes before long. I think of the eyes of that deer-eyed one, the sideways movements of which are concealed by her hair, which are devoid of the glistening of collyrium, which have forgotten the play of their eyebrows on account of abstinence from sweet liqour, and whose upper eyelids tremble when you are near: these eyes take on the semblance of the beauty of a blue lotus that is trembling with the movement of a fish. And her lovely thigh will tremble, being without the impressions of my fingernails, caused to abandon it long-accustomed string of pearls by the course of fate, used to the caresses of my hand at the end of our enjoyment, and as pale as the stem of a beautiful plantain palm. At that time, O cloud, if she is enjoying the sleep she has found, remaining behind her, your thunder restrained, wait during the night-watch. Let not the knot of her creeper-like arms in close embrace with me her beloved, somehow found in a dream, fall from my neck at once. Having woken her with a breeze cooled by your own water droplets, she will be refreshed like the fresh clusters of buds of the malati. Your lightning held within, being firm, begin to address her with words of thunder; she, the proud on whose eyes are fixed on the window occupied by you: ‘O you who are not a widow, know me to be a cloud who is a dear friend of your husband. With messages stored in my heart I have arrived at your side, and with slow and friendly rumblings I urge along the road a multitude of weary travellers who are eager to loosen the braids of their womenfolk.’ When this has been said, like Sita looking up at Hanuman, having beheld you with her heart swollen with longing and having honoured you, she will listen attentively to you further, O friend. For women, news of their beloved that brought by a friend is little short of union. O long-lived one, following my instructions and to bring credit to yourself, address her thus: ‘Your partner who resides at the ashram on Ramagiri, who is still alive though separated from you, inquires after your news, madam. This is the very thing that is first asked by beings who may easily fall into misfortune. He whose path is blocked by an invidious command and is at a distance, by means of these intentions, unites his body with yours, the emaciated with the emaciated, the afflicted with the deeply afflicted, that which is wet with tears with that which is tearful, that whose longing is ceaseless with that which is longed for, that whose sighs are hot with that whose sighs are even more numerous. He who has become eager to say what is to be said in words in your ear, in the presence of your female friends, with a desire to touch your face, he who is beyond the range of your ears, unseen by your eyes, addresses these words composed on account of his desire, through the agency of my mouth: “I perceive your body in the priyangu vines, your glances in the eyes of the startled deer, the beauty of your face in the moon, your hair in the peacock’s feathers and the play of your eyebrows in the delicate ripples on the river, but alas, your whole likeness is not to be found in a single thing, O passionate one. Having painted your likeness, with mineral colours on a rock, appearing angry because of love, as soon as I wish to paint myself fallen at your feet, my vision is clouded again and again with copious tears. Cruel fate does not permit our union, even in this picture. Watching me with my arms stretched up into the air for an ardent embrace when you have somhow been found by me in a vision or in a dream, the local deities repeatedly shed teardrops as big as pearls on the buds of the trees. Those winds from the snowy mountains which having broken open the sepals of the buds of the devadaru trees become fragrant with their milky sap and which blow southwards—they are embraced by me, O virtuous one, with the thought that your body might previously have been touched by them. How can the night with its long watches by compressed into a moment? How may a day become cooler in every season? Thus my mind, whose desires are difficult to satisfy, is rendered without refuge by the deep and burning pangs of separation from you, O one of trembling eyes. Indeed, ever brooding, I maintain myself by means of myself alone. Therefore, O beautiful one, you also should not fear. Whose happiness is endless or whose suffering is complete? The condition of life rises and falls like the felly of a wheel. The the holder of the bow called Sharnga rises from his serpent bed, the curse will end for me. Having closed your eyes, endure the remaining four months. After that, we two will indulge our own various desires, increased by separation, on nights lit by the full autumn moon.” And he said further, “In the past you embraced my neck as we lay on our bed, you called out something in your sleep and woke up. When I asked over and over, you said to me with an inward smile, ‘I saw you in my dream enjoying another girl, you cheat!’ Having ascertained from the telling of this account that I am well, do not be suspicious of me on account of any rumour, O dark-eyed one. They say that love somehow perishes during separation, but because there is no fulfilment, the love for that which is desired with increasing desire, becomes a even more ardent.”’ Having comforted her thus, your friens whose sorrow is great in her first separation, return at once from the mountain whose peaks were cast up by the bull of three-eyed one. Then you should prop up my life which flags like kunda flowers in the morning with her words about her welfare, and an account of her. I hope, friend, that you are firmly resolved upon this friendly service for me. I certainly do not regard your silences as indicating refusal. When requested you also apportion rain to the cataka cuckoos in silence, for the response of the virtuous to those who make a request is the performance of that which is desired. Having undertaken this favour for me who bears this request that is unworthy of you, with thoughts of compassion for me, either out of friendship or because you think that I am alone, proceed to your desired destination, O cloud, your splendour enhanced by rainy season, and may you never be separated like this even for a moment from your spouse, the lightning. Kalidasa ___________________ Ham de Foc - Concert a la ciutat de València ___________________ The Poetry Of Ancient India: Kalidasa ![]() AUTUMN The autumn comes, a maiden fair In slenderness and grace, With nodding rice-stems in her hair And lilies in her face. In flowers of grasses she is clad; And as she moves along, Birds greet her with their cooing glad Like bracelets' tinkling song. A diadem adorns the night Of multitudinous stars; Her silken robe is white moonlight, Set free from cloudy bars; And on her face (the radiant moon) Bewitching smiles are shown: She seems a slender maid, who soon Will be a woman grown. Over the rice-fields, laden plants Are shivering to the breeze; While in his brisk caresses dance The blossomed-burdened trees; He ruffles every lily-pond Where blossoms kiss and part, And stirs with lover's fancies fond The young man's eager heart. --- Look To this Day Look to this day: For it is life, the very life of life. In its brief course Lie all the verities and realities of your existence. The bliss of growth, The glory of action, The splendour of achievement Are but experiences of time. For yesterday is but a dream And tomorrow is only a vision; And today well-lived, makes Yesterday a dream of happiness And every tomorrow a vision of hope. Look well therefore to this day; Such is the salutation to the ever-new dawn! --- THE HERO AND THE NYMPH or Vikramorvasie A monologue from the play PURURAVAS: [Angrily] Halt, ruffian, halt! Thou in thy giant arms Bearest away my Urvasie! He has Soared up from a great crag in the sky And wars me, hurling downward bitter rain Of arrows. With this thunderbolt I smite thee. [He lifts up a clod and runs as to hurl it; then pauses and looks upward.] I am deceived! This was a cloud Equipped for rain, no proud and lustful fiend, The rainbow, not a weapon drawn to kill, Quick-driving showers are these, not sleety rain Of arrows; and that brilliant line like streak Of gold upon a touchstone, cloud-inarmed, I saw, was lightning, not my Urvasie. [Sorrowfully] Where shall I find her now? Where clasp those thighs Swelling and smooth and white? This grove, this grove should find her. And here, O here is something to enrage my resolution. Red-tinged, expanding, wet and full of rain, These blossom-cups recall to me her eyes Brimming with angry tears. How shall I trace her, Or what thing tells me "Here and here she wandered?" If she had touched with her beloved feet The rain-drenched forest-sands, there were a line Of little gracious footprints seen, with lac Envermeilled, sinking deeper towards the heel Because o'erburdened by her hips' large glories. I see a hint of her! This way Then went her angry beauty! Lo, her bodice Bright green as is a parrot's belly, smitten With crimson drops. It once veiled in her bosom And paused to show her naval deep as love. These are her tears that from those angry eyes Went trickling, stealing scarlet from her lips To spangle all this green. Doubtless her heaving Tumult of breasts broke its dear hold and, she Stumbling in anger, from my Heaven it drifted. I'll gather it to my kisses. [He stoops to it, then sorrowfully:] O my heart! Only green grass with dragon-wings enamelled! From whom shall I in all the desolate forest Have tidings of her, or what creature help me? Lo, in yon waste of crags the peacock! he Upon a cool moist rock that breathes of rain Exults, aspires, his gorgeous mass of plumes Seized, blown and scattered by the roaring gusts. Pregnant of shrillness is his outstretched throat, His look is with the clouds. Him I will question: Have the bright corners of thine eyes beheld, O sapphire-throated bird, her, my delight, My wife, my passion, my sweet grief? Yielding No answer, he begins his gorgeous dance. Why should he be so glad of my heart's woe? I know thee, peacock. Since my cruel loss Thy plumes that stream in splendour on the wind, Have not one rival left. For when her heavy Dark wave of tresses over all the bed In softness wide magnificently collapsed On her smooth shoulders massing purple glory And bright with flowers, she passioning in my arms, Who then was ravished with thy brilliant plumes, Vain bird? I question thee not, heartless thing, That joyest in others' pain. NOTE: This monologue is reprinted from The Hero and the Nymph. Trans. Sri Aurobindo. Hyderabad: Government Central Press, 1911. _________________ An Indian poet and dramatist, Kalidasa lived sometime between the reign of Agnimitra, the second Shunga king (c. 170 BC) who was the hero of one of his dramas, and the Aihole inscription of AD 634 which praises Kalidasa's poetic skills. Most scholars now associate him with the reign of Candra Gupta II (reigned c. 380-c. 415). Little is known about Kalidasa's life. According to legend, the poet was known for his beauty which brought him to the attention of a princess who married him. However, as legend has it, Kalidasa had grown up without much education, and the princess was ashamed of his ignorance and coarseness. A devoted worshipper of the goddess Kali (his name means literally Kali's slave), Kalidasa is said to have called upon his goddess for help and was rewarded with a sudden and extraordinary gift of wit. He is then said to have become the most brilliant of the "nine gems" at the court of the fabulous king Vikramaditya of Ujjain. Legend also has it that he was murdered by a courtesan in Sri Lanka during the reign of Kumaradasa. Kalidasa's first surviving play, Malavikagnimitra or Malavika and Agnimitra tells the story of King Agnimitra, a ruler who falls in love with the picture of an exiled servant girl named Malavika. When the queen discovers her husbands passion for this girl, she becomes infuriated and has Malavika imprisoned, but as fate would have it, Malavika is in fact a true-born princess, thus legitimizing the affair. Kalidasa's second play, generally considered his masterpiece, is the Shakuntala which tells the story of another king, Dushyanta, who falls in love with another girl of lowly birth, the lovely Shakuntala. This time, the couple is happily married and things seem to be going smoothly until Fate intervenes. When the king is called back to court by some pressing business, his new bride unintentionally offends a saint who puts a curse on her, erasing the young girl entirely from the king's memory. Softening, however, the saint concedes that the king's memory will return when Shakuntala returns to him the ring he gave her. This seems easy enough--that is, until the girl loses the ring while bathing. And to make matters worse, she soon discovers that she is pregnant with the king's child. But true love is destined to win the day, and when a fisherman finds the ring, the king's memory returns and all is well. Shakuntala is remarkable not only for it's beautiful love poetry, but also for its abundant humor which marks the play from beginning to end. The last of Kalidasa's surviving plays, Vikramorvashe or Urvashi Conquered by Valor, is more mystical than the earlier plays. This time, the king (Pururavas) falls in love with a celestial nymph named Urvashi. After writing her mortal suitor a love letter on a birch leaf, Urvashi returns to the heavens to perform in a celestial play. However, she is so smitten that she misses her cue and pronounces her lover's name during the performance. As a punishment for ruining the play, Urvashi is banished from heaven, but cursed to return the moment her human lover lays eyes on the child that she will bear him. After a series of mishaps, including Urvashi's temporary transformation into a vine, the curse is eventually lifted, and the lovers are allowed to remain together on Earth. Vikramorvashe is filled poetic beauty and a fanciful humor that is reminiscent of Shakespeare's A Midsummer Night's Dream. In addition to his plays, Kalidasa wrote two surviving epic poems Raghuvamsha ("Dynasty of Raghu") and Kumarasambhava ("Birth of the War God"), as well as the lyric "Meghaduta" ("Cloud Messenger"). He is generally considered to be the greatest Indian writer of any epoch. ___________________ No Visuals, but the music is great.... L' Ham de Foc- el Que vull ___________________ Wednesday, July 2. 2008Big Sur Burning...![]() Ah... sad day with the fires... I hope this entry finds you safe, with family, friends, Loved Ones. Life is fleeting, but beauty, she is everywhere.... On The Menu: Big Sur Burning Henry on Big Sur.... Big Sur and the Oranges of Hieronymus Bosch... Big Sur, The Way It Was... Poet Of The Blessed Coast: Robinson Jeffers A gift from Mike Crowley: Rabbi Shergill - Bulla Ki Jaana Maen Kaun ___________ Big Sur Burning This was going to be an edition with some very nice poetry from ancient India, but a fire got in the way. As I write, Big Sur is burning. Maybe Nepenthes, The Big Sur Store, or Deetjens... Big Sur, has always been a place of great beauty and a location that changes me spiritually from when I was 15, and standing on the shore, to living up Lime Kiln Creek Canyon a half year later. Big Sur is where Mary and I had our honeymoon, (8 years into our marriage)... staying at Deetjen's: (this is the original building when the highway ran right past... ) We stayed in the Fireside Room, with nightly visits from the Raccoon's after they raided the kitchens....Lots of good memories of that time... Tripping up the Little Sur with the Blessed Little Ones, watching the sunset at Nepenthes, driving down past Esalen, Emile White holding and kissing Mary's hand and making cooing sounds about her beauty at The Henry Miller Memorial Library.... He must of been about 88 then. We still have his poster on the wall next to Mary's computer. Mary says we'll go south in a year or so, to visit. I have promised Rowan and his friends a road trip south down Highway 1/101. We will end at Lime Kiln Creek where my life took a turn and by the blessings of the sea, sky and land of the Sur, I ended up who I am today. Everything changes everytime I visit. The road opens up, and vision comes clear again. Big Sur has that effect. Long may it tumble down into the sea.... Blessings, Gwyllm ___________ Henry on Big Sur.... ______ Big Sur and the Oranges of Hieronymus Bosch... "Some will say they do not wish to dream their lives away. As if life itself were not a dream, a very real dream from which there is no awakening! We pass from one state of dream to another: from the dream of sleep to the dream of waking, from the dream of life to the dream of death. Whoever has enjoyed a good dream never complains of having wasted his time. On the contrary, he is delighted to have partaken of a reality which serves to heighten and enhance the reality of everyday. The oranges of Bosch's "millennium," as I said before, exhale this dreamlike reality which constantly eludes us and which is the very substance of life. They are far more delectable, far more potent, than the Sunkist oranges we daily consume in the naive belief that they are laden with wonder-working vitamins. the millennial oranges which Bosch created restore the soul: the ambiance in which he suspended them is the everlasting one of spirit become real. Every creature, every object, everyplace has it's own ambiance. Our world itself possesses an ambiance which is unique. But worlds, objects, creatures, places, all have this in common: they are ever in a state of transformative power. when the personality liquefies, so to speak, as it does so deliciously in dream, and the very nature of one's being is alchemized, when form and substance, time and space, become yeilding and elastic, responsive and obedient to one's slightest wish, he who awakens from his dream knows beyond all doubt that the imperishable soul which he calls his own is but a vehicle of the eternal element of change" ______ Big Sur, The Way It Was... _______ Poet Of The Blessed Coast: Robinson Jeffers ![]() Fire On The Hills The deer were bounding like blown leaves Under the smoke in front the roaring wave of the brush-fire; I thought of the smaller lives that were caught. Beauty is not always lovely; the fire was beautiful, the terror Of the deer was beautiful; and when I returned Down the back slopes after the fire had gone by, an eagle Was perched on the jag of a burnt pine, Insolent and gorged, cloaked in the folded storms of his shoulders He had come from far off for the good hunting With fire for his beater to drive the game; the sky was merciless Blue, and the hills merciless black, The sombre-feathered great bird sleepily merciless between them. I thought, painfully, but the whole mind, The destruction that brings an eagle from heaven is better than men. --- July Fourth By The Ocean The continent's a tamed ox, with all its mountains, Powerful and servile; here is for plowland, here is for park and playground, this helpless Cataract for power; it lies behind us at heel All docile between this ocean and the other. If flood troubles the lowlands, or earthquake Cracks walls, it is only a slave's blunder or the natural Shudder of a new made slave. Therefore we happy masters about the solstice Light bonfires on the shore and celebrate our power. The bay's necklaced with fire, the bombs make crystal fountains in the air, the rockets Shower swan's-neck over the night water.... I imagined The stars drew apart a little as if from troublesome children, coldly compassionate; But the ocean neither seemed astonished nor in awe: If this had been the little sea that Xerxes whipped, how it would have feared us. --- ![]() --- The Summit Redwood Only stand high a long enough time your lightning will come; that is what blunts the peaks of redwoods; But this old tower of life on the hilltop has taken it more than twice a century, this knows in every Cell the salty and the burning taste, the shudder and the voice. The fire from heaven; it has felt the earth's too Roaring up hill in autumn, thorned oak-leaves tossing their bright ruin to the bitter laurel-leaves, and all Its under-forest has died and died, and lives to be burnt; the redwood has lived. Though the fire entered, It cored the trunk while the sapwood increased. The trunk is a tower, the bole of the trunk is a black cavern, The mast of the trunk with its green boughs the mountain stars are strained through Is like the helmet-spike on the highest head of an army; black on lit blue or hidden in cloud It is like the hill's finger in heaven. And when the cloud hides it, though in barren summer, the boughs Make their own rain. Old Escobar had a cunning trick when he stole beef. He and his grandsons Would drive the cow up here to a starlight death and hoist the carcass into the tree's hollow, Then let them search his cabin he could smile for pleasure, to think of his meat hanging secure Exalted over the earth and the ocean, a theft like a star, secret against the supreme sky. --- Vulture I had walked since dawn and lay down to rest on a bare hillside Above the ocean. I saw through half-shut eyelids a vulture wheeling high up in heaven, And presently it passed again, but lower and nearer, its orbit narrowing, I understood then That I was under inspection. I lay death-still and heard the flight- feathers Whistle above me and make their circle and come nearer. I could see the naked red head between the great wings Bear downward staring. I said, 'My dear bird, we are wasting time here. These old bones will still work; they are not for you.' But how beautiful he looked, gliding down On those great sails; how beautiful he looked, veering away in the sea-light over the precipice. I tell you solemnly That I was sorry to have disappointed him. To be eaten by that beak and become part of him, to share those wings and those eyes-- What a sublime end of one's body, what an enskyment; what a life after death. __________ ![]() __________ Rabbi Shergill - Bulla Ki Jaana Maen Kaun Tuesday, July 1. 2008Italia![]() A quick one.... I have had the bulk of this sitting about for a week or so. I have been doing art, trying to get the magazine jump started, and dealing with a whole bunch of new customers. Summer is a busy time at Caer Llwydd, and life has been doing a jig in and out the door, through the garden and down our streets. Mary, Rowan and I had a day together yesterday, first time that we have had an outing in a long time. Took some books to Powell's warehouse , then off to lunch on NE 23rd at a deli, then to Powell's itself... Mary picked up some new cook-books (Afghani Food Rocks!), Rowan a gaming book and a small book to carry around for writing down poetry, and I picked up Allen Ginsberg's Collected Works, 1947-1997, the Gary Snyder Reader, and some design books for the magazine. We had a great time.... California is burning, and my thoughts have been with friends who live in the hills. Here is praying that the fire season passes quickly. I talked to Mike Crowley, who lives in the Trinity Alps, and he says it is beyond smoky where he is. I have emailed other friends on the west slope of the Sierra's but haven't heard back yet.... Time to tell ya.... the radio has lots of new music. Please check it out! I am uploading lots of new stuff, and we are looking at doing regular shows again if there is an interest in it from all those good folks who visit it...There is lots of stuff going on with it, and especially the spoken word channel... as I type this, there is a talk about Ecstasy going on, and there will be poetry coming up shortly..... Today we are featuring an Italian Folk/Techno outfit: Fiamma Fumana... thanks to Peter for mentioning them in an email. Bright Blessings, Gwyllm On The Menu: Italian Quotes Fiamma Fumana 1.0 Live in Winnipeg Gary Snyder Interview... Leonard Cohen Poems: Songs Of Love And Hate Fiamma Fumana "Di madre in figlia" live in Winnipeg __________________ Italian Quotes: “Old wine and friends improve with age.” “He who knows little quickly tells it” “Eggs have no business dancing with stones” “He who is guilty believes all men speak ill of him” “Only your real friends will tell you when your face is dirty.” “The teacher is like the candle, which lights others in consuming itself” __________________ Fiamma Fumana 1.0 Live in Winnipeg ___________________ Gary Snyder Interview... ![]() This interview originated at Caffeine Destiny.. Gary Snyder was born in San Francisco and studied at Reed College in Portland. Zen poet and environmental activist, he's worked as a logger and a trail-crew member, and studied Oriental langauges at Berkeley. He's also written many books of poetry and prose, including, The Gary Snyder Reader , No Nature:New and Selected Poems , Riprap , Axe Handles , Regarding Wave, and Turtle Island, which won the Pulitzer Prize for poetry. He is currently a professor of English at the University of California, Davis, and recently took the time to answer a few of our questions. Caffeine Destiny: What is the most satisfying thing for you about writing, and has that changed over the years? Gary Snyder: The act of making something, bringing elements together and creating a new thing with craft and wit hidden in it, is a great pleasure. It's not the only sort of pleasure, but it is challenging and satisfying, and not unlike other sorts of creating and building. In Greek "poema" means "makings." It doesn't change with the years, or with the centuries. How do you know when a poem is finished? It tastes done. If animals wrote things down, who would you rather hear a poem by - a raccoon or a possum? A raccoon's poem is alert and inquisitive, and amazes you by what a mess it makes. A possum's poem seems sort of slow and dumb at first, but then it rolls over. When you get close to it, it spits in your eye. What's the most striking difference to you between California wilderness and Oregon wilderness? You need to specify east side or west side, north or south, for this to be a useful question. The northwestern California-southwestern Oregon zone is basically one. Southeast Oregon belongs with the Great Basin and then a lot of eastern Oregon to the Columbia Plateau. Lower Columbia includes both sides of the river. The differences, east or west, are expressed basically in precipitation, and the Northern Spotted Owl needs bigger and denser groves than the Southern. Do you find yourself working on several poems at once, or do you start one poem and see it through to some kind of conclusion before you start on another one? Both, and also other strategies and variations as well. An artist is a total switch-hitter. Are there some poets whose work you return to again and again? Yes, among them Du Fu, Lorca, Basho, Pound, Yeats, Buson, Bai Ju-yi, Li He, Su Shih, Homer, Mira Bhai, Kalidasa. What is your advice to writers who are just starting out? Think like a craftsperson, learn your materials, your tools, and then read a lot of poetry so you don't keep inventing wheels. Can poetry change the world? Ha. ___________________ Leonard Cohen Poems: Songs Of Love And Hate ![]() Avalanche Well I stepped into an avalanche, it covered up my soul; when I am not this hunchback that you see, I sleep beneath the golden hill. You who wish to conquer pain, you must learn, learn to serve me well. You strike my side by accident as you go down for your gold. The cripple here that you clothe and feed is neither starved nor cold; he does not ask for your company, not at the centre, the centre of the world. When I am on a pedestal, you did not raise me there. Your laws do not compel me to kneel grotesque and bare. I myself am the pedestal for this ugly hump at which you stare. You who wish to conquer pain, you must learn what makes me kind; the crumbs of love that you offer me, they're the crumbs I've left behind. Your pain is no credential here, it's just the shadow, shadow of my wound. I have begun to long for you, I who have no greed; I have begun to ask for you, I who have no need. You say you've gone away from me, but I can feel you when you breathe. Do not dress in those rags for me, I know you are not poor; you don't love me quite so fiercely now when you know that you are not sure, it is your turn, beloved, it is your flesh that I wear. --- Joan Of Arc Now the flames they followed Joan of Arc as she came riding through the dark; no moon to keep her armour bright, no man to get her through this very smoky night. She said, "I'm tired of the war, I want the kind of work I had before, a wedding dress or something white to wear upon my swollen appetite." Well, I'm glad to hear you talk this way, you know I've watched you riding every day and something in me yearns to win such a cold and lonesome heroine. "And who are you?" she sternly spoke to the one beneath the smoke. "Why, I'm fire," he replied, "And I love your solitude, I love your pride." "Then fire, make your body cold, I'm going to give you mine to hold," saying this she climbed inside to be his one, to be his only bride. And deep into his fiery heart he took the dust of Joan of Arc, and high above the wedding guests he hung the ashes of her wedding dress. It was deep into his fiery heart he took the dust of Joan of Arc, and then she clearly understood if he was fire, oh then she must be wood. I saw her wince, I saw her cry, I saw the glory in her eye. Myself I long for love and light, but must it come so cruel, and oh so bright? --- Famous Blue Raincoat It's four in the morning, the end of December I'm writing you now just to see if you're better New York is cold, but I like where I'm living There's music on Clinton Street all through the evening. I hear that you're building your little house deep in the desert You're living for nothing now, I hope you're keeping some kind of record. Yes, and Jane came by with a lock of your hair She said that you gave it to her That night that you planned to go clear Did you ever go clear? Ah, the last time we saw you you looked so much older Your famous blue raincoat was torn at the shoulder You'd been to the station to meet every train And you came home without Lili Marlene And you treated my woman to a flake of your life And when she came back she was nobody's wife. Well I see you there with the rose in your teeth One more thin gypsy thief Well I see Jane's awake -- She sends her regards. And what can I tell you my brother, my killer What can I possibly say? I guess that I miss you, I guess I forgive you I'm glad you stood in my way. If you ever come by here, for Jane or for me Your enemy is sleeping, and his woman is free. Yes, and thanks, for the trouble you took from her eyes I thought it was there for good so I never tried. And Jane came by with a lock of your hair She said that you gave it to her That night that you planned to go clear --- Love Calls You By Your Name You thought that it could never happen to all the people that you became, your body lost in legend, the beast so very tame. But here, right here, between the birthmark and the stain, between the ocean and your open vein, between the snowman and the rain, once again, once again, love calls you by your name. The women in your scrapbook whom you still praise and blame, you say they chained you to your fingernails and you climb the halls of fame. Oh but here, right here, between the peanuts and the cage, between the darkness and the stage, between the hour and the age, once again, once again, love calls you by your name. Shouldering your loneliness like a gun that you will not learn to aim, you stumble into this movie house, then you climb, you climb into the frame. Yes, and here, right here between the moonlight and the lane, between the tunnel and the train, between the victim and his stain, once again, once again, love calls you by your name. I leave the lady meditating on the very love which I, I do not wish to claim, I journey down the hundred steps, but the street is still the very same. And here, right here, between the dancer and his cane, between the sailboat and the drain, between the newsreel and your tiny pain, once again, once again, love calls you by your name. Where are you, Judy, where are you, Anne? Where are the paths your heroes came? Wondering out loud as the bandage pulls away, was I, was I only limping, was I really lame? Oh here, come over here, between the windmill and the grain, between the sundial and the chain, between the traitor and her pain, once again, once again, love calls you by your name. ___________________ Fiamma Fumana "Di madre in figlia" live in Winnipeg __________________
Wednesday, June 25. 2008Andalusia II![]() An entry for Wednesday. Some of this has been floating around in my files for awhile... anyway, if you are free this Saturday, come down to 2nd and SE Washington for the Muralist show blow-out! 5 bands, live painting, closed off block party, the works. I will be there putting together a new piece with spray cans and brush. Come on down, from 12:00 noon on. It is bound to be hot, but we'll have some fun! Bright Blessings, Gwyllm On The Menu: Tlemcen de Tetma le doux chant Andalou The Apocalypse Of Hasheesh Poetry: Up For A Bit Of Dogen? Sérénades de Grenade ____________ Tlemcen de Tetma le doux chant Andalou _____________ The Apocalypse Of Hasheesh by Fitz Hugh Ludlow ![]() In returning from the world of hasheesh, I bring with me many and diverse memories. The echoes of a sublime rapture which thrilled and vibrated on the very edge of pain; of Promethean agonies which wrapt the soul like a mantle of fire; of voluptuous delirium which suffused the body with a blush of exquisite languor -- all are mine. But in value far exceeding these, is the remembrance of my spell-bound life as an apocalyptic experience. Not, indeed, valuable, when all things are considered. Ah no! The slave of the lamp who comes at the summons of the hasheesh Aladdin will not always cringe in the presence of his master. Presently he grows bold and for his service demands a guerdon as tremendous as the treasures he unlocked. Dismiss him, hurl your lamp into the jaws of some fathomless abyss, or take his place while he reigns over you, a tyrant of Gehenna! The value of this experience to me consists in its having thrown open to my gaze many of those sublime avenues in the spiritual life, at whose gates the soul in its ordinary state is forever blindly groping, mystified, perplexed, yet earnest to the last in its search for that secret spring which, being touched, shall swing back the colossal barrier. In a single instant I have seen the vexed question of a lifetime settled, the mystery of some grand recondite process of mind laid bare, the last grim doubt that hung persistently on the sky of a sublime truth blown away. How few facts can we trace up to their original reason! In all human speculations how inevitable is the recurrence of the ultimate "Why?" Our discoveries in this latter age but surpass the old-world philosophy in fanning this impenetrable mist but a few steps further up the path of thought, and deferring the distance of a few syllogisms the unanswerable question. How is it that all the million drops of memory preserve their insulation, and do not run together in the brain into one fluid chaos of impression? How does the great hand of central force stretch on invisibly through ether till it grasps the last sphere that rolls on the boundaries of light-quickened space? How does spirit communicate with matter, and where is their point of tangency? Such are the mysteries which bristle like a harvest far and wide over the grand field of thought. Problems like these, which had been the perplexity of all my previous life, have I seen unraveled by hasheesh, as in one breathless moment the rationale of inexplicable phenomena has burst upon me in a torrent of light. It may have puzzled me to account for some strange fact of mind; taking hypothesis after hypothesis, I have labored for a demonstration; at last I have given up the attempt in despair. During the progress of the next fantasia of hasheesh, the subject has again unexpectedly presented itself, and in an instant the solution has lain before me as an intuition, compelling my assent to its truth as imperatively as a mathematical axiom. At such a time I have stood trembling with awe at the sublimity of the apocalypse; for though this be not the legitimate way of reaching the explications of riddles which, if of any true utility at all, are intended to strengthen the argumentative faculty, there is still an unutterable sense of majesty in the view one thus discovers of the unimagined scope of the intuitive, which surpasses the loftiest emotions aroused by material grandeur. I was once walking in the broad daylight of a summer afternoon in the full possession of hasheesh delirium. For an hour the tremendous expansion of all visible things had been growing toward its height; it now reached it, and to the fullest extent I realized the infinity of space. Vistas no longer converged, sight met no barrier; the world was horizonless, for earth and sky stretched endlessly onward in parallel planes. Above me the heavens were terrible with the glory of a fathomless depth. I looked up, but my eyes, unopposed, every moment penetrated further and further into the immensity, and I turned them downward lest they should presently intrude into the fatal splendors of the Great Presence. Joy itself became terrific, for it seemed the ecstasy of a soul stretching its cords and waiting in intense silence to hear them snap and free it from the enthrallment of the body. Unable to bear visible objects, I shut my eyes. In one moment a colossal music filled the whole hemisphere above me, and I thrilled upward through its environment on visionless wings. It was not song, it was not instruments, but the inexpressible spirit of sublime sound -- like nothing I had ever heard-impossible to be symbolized; intense, yet not loud; the ideal of harmony, yet distinguishable into a multiplicity of exquisite parts. I opened my eyes, yet it still continued. I sought around me to detect some natural sound which might be exaggerated into such a semblance, but no, it was of unearthly generation, and it thrilled through the universe an inexplicable, a beautiful yet an awful symphony. Suddenly my mind grew solemn with the consciousness of a quickened perception. I looked abroad on fields, and water, and sky, and read in them all a most startling meaning. I wondered how I had ever regarded them in the light of dead matter, at the furthest only suggesting lessons. They were now grand symbols of the sublimest spiritual truths, truths never before even feebly grasped, utterly unsuspected. Like a map, the arcana of the universe lay bare before me. I saw how every created thing not only typifies but springs forth from some mighty spiritual law as its offsping, its necessary external development; not the mere clothing of the essence, but the essence incarnate. Nor did the view stop here. While that music from horizon to horizon was still filling the concave above me, I became conscious of a numerical order which ran through it, and in marking this order I beheld it transferred from the music to every movement of the universe. Every sphere wheeled on in its orbit, every emotion of the soul rose and fell, every smallest moss and fungus germinated and grew, according to some peculiar property of numbers which severally governed them and which was most admirably typified by them in return. An exquisite harmony of proportion reigned through space, and I seemed to realize that the music which I heard was but this numerical harmony making itself objective through the development of a grand harmony of tones. The vividness with which this conception revealed itself to me made it a thing terrible to bear alone. An unutterable ecstasy was carrying me away, but I dared not abandon myself to it. I was no seer who could look on the unveiling of such glories face to face. An irrepressible yearning came over me to impart what I beheld, to share with another soul the weight of this colossal revelation. With this purpose I scrutinized the vision; I sought in it for some characteristic which might make it translatable to another mind. There was none! In absolute incommunicableness it stood apart, a thought, a system of thought which as yet had no symbol in spoken language. For a time, how long, a hasheesh-eater alone can know, I was in an agony. I searched every pocket for my pencil and note-book, that I might at least set down some representative mark which would afterwards recall to me the lineaments of my apocalypse. They were not with me. Jutting into the water of the brook along which I wandered lay a broad flat stone. "Glory in the Highest!" I shouted exultingly, "I will at least grave on this tablet some hieroglyph of what I feel!" Tremblingly I sought for my knife. That, too, was gone! It was then that in a frensy I threw myself prostrate on the stone, and with my nails sought to make some memorial scratch upon it. Hard, hard as flint! In despair I stood up. Suddenly there came a sense as of some invisible presence walking the dread paths of the vision with me, yet at a distance as if separated from my side by a long flow of time. Taking courage, I cried, "Who has ever been here before me, who in years past has shared with me this unutterable view?" In tones which linger in my soul to this day, a grand, audible voice responded, "Pythagoras!" In an instant I was calm. I heard the footsteps of that sublime sage echoing upward through the ages, and in celestial light I read my vision unterrified, since it had burst upon his sight before me. For years previous I had been perplexed with his mysterious philosophy. I saw in him an isolation from universal contemporary mind for which I could not account. When the Ionic school was at the height of its dominance, he stood forth alone, the originator of a system as distinct from it as the antipodes of mind. The doctrine of Thales was built up by the uncertain processes of an obscure logic, that of Pythagoras seemed informed by intuition. In his assertions there had always appeared to me a grave conviction of truth, a consciousness of sincerity, which gave them a great weight with me, though seeing them through the dim refracting medium of tradition and grasping their meaning imperfectly. I now saw the truths which he set forth, in their own light. I also saw, as to this day I firmly believe, the source whence their revelation flowed. Tell me not that from Phoenicia he received the wand at whose signal the cohorts of the spheres came trooping up before him in review, unveiling the eternal law and itineracy of their evolutions, and pouring on his spiritual ear that tremendous music to which they marched through space. No! During half a lifetime spent in Egypt and in India, both motherlands of this nepenths, doubt not that he quaffed its apocalyptic draught, and awoke, through its terrific quickening, into the consciousness of that ever-present and all-pervading harmony "which we hear not always, because the coarseness of the daily life hath dulled our ear." The dim penetralia of the Theban Memnonium, or the silent spice groves of the upper Indua may have been the gymnasium of his wrestling with the mighty revealer; a priest or a gymnospohist may have been the first to annoint him with the palæstric oil, but he conquered alone. On the strange intuitive characteristics of his system, on the spheral music, on the government of all created things and their development according to the laws of number, yes, on the very use of symbols which could alone have force to the esoteric disciple, (and a terrible significancy, indeed, has the simplest form, to a mind hasheesh-quickened to read its meaning) -- on all these is the legible stamp of the hasheesh inspiration. It would be no hard task to prove, to a strong probability, at least, that the initiation into the Pythagorean mysteries and the progressive instruction that succeeded it, to a considerable extent, consisted in the employment, judiciously, if we may use the word, of hasheesh, as giving a critical and analytic power to the mind which enabled the neophyte to roll up the murk and mist from beclouded truths, till they stood distinctly seen in the splendor of their own harmonious beauty as an intuition. One thing related of Pythagoras and his friends has seemed very striking to me. There is a legend that, as he was passing over a river, its waters called up to him, in the presence of his followers, "Hail, Pythagoras!" Frequently, while in the power of the hasheesh delirium, have I heard inanimate things sonorous with such voices. On every side they have saluted me; from rocks, and trees, and waters, and sky; in my happiness, filling me with intense exultation, as I heard them welcoming their master; in my agony, heaping nameless curses on my head, as I went away into an eternal exile from all sympathy. Of this tradition on Iamblichus, I feel an appreciation which almost convinces me that the voice of the river was, indeed, heard, though only in the quickened mind of some hasheesh-glorified esoteric. Again, it may be that the doctrine of the Metempsychosis was first communicated to Pythagoras by Theban priests; but the astonishing illustration, which hasheesh would contribute to this tenet, should not be overlooked in our attempt to assign its first suggestion and succeeding spread to their proper causes. A modern critic, in defending the hypothesis, that Pythagoras was an impostor, has triumphantly asked, "Why did he assume the character of Apollo at the Olympic games? why did he boast that his soul had lived in former bodies, and that he had been first Acthalides, the son of Mercury, then Euphorbus, then Pyrrhus of Delos, and at last Pythagoras, but that he might more easily impose upon the credulity of an ignorant and superstitious people!" To us these facts seem rather an evidence of his sincerity. Had he made these assertions without proof, it is difficult to see how they would not have had a precisely contrary effect from that of paving the way to a more complete imposition upon the credulity of the people. Upon our hypothesis, it may be easily shown, not only how he could fully have believed these assertions himself, but, also, have given them a deep significance to the minds of his disciples. Let us see. We will consider, for example, his assumption of the character of Phoebus at the Olympic games. Let us suppose that Pythagoras, animated with a desire of alluring to the study of his philosophy a choice and enthusiastic number out of that host who, along all the radii of the civilized world, had come up to the solemn festival at Elis, had, by the talisman of hasheesh, called to his aid the magic of a preternatural eloquence; that, while he addressed the throng whoin he had charmed into breathless attention by the weird brilliancy of his eyes, the unearthly imagery of his style, and the oracular insight of his thought, the grand impression flashed upon him from the very honor he was receiving, that he was the incarnation of some sublime deity. What wonder that he burst into the acknowledgment of his godship as a secret too majestic to be hoarded up; what wonder that this sudden revelation of himself, darting forth in burning words and amid such colossal surroundings, wend down with the accessories of time and place along the stream of perpetual tradition? If I may illustrate great things by small, I well remember many hallucinations of my own which would be exactly parallel to such a fancy in the mind of Pythagoras. There is no impression more deeply stamped upon my past life than one of a walk along the brook which had frequently witnessed my wrestlings with the hasheesh-afreet, and which now beheld me, the immortal Zeus, descended among men to grant them the sublime benediction of renovated life. For this cause I had abandoned the serene seats of Olympus, the convocation of the gods, and the glory of an immortal kingship, while, by my side, Hermes trod the earth with radiant feet, the companion and dispenser of the beneficence of deity. Across lakes and seas, from continent to continent, we strode; the snows of Hæimus and the Himmalehs crunched beneath our sandals; our foreheads were bathed with the upper light, our breasts glowed with the exultant inspiration of the golden ether. Now resting on Chimborazo, I poured forth a majestic blessing upon all my creatures, and in an instant, with one omniscient glance, I beheld every human dwelling-place on the whole sphere irradiated with an unspeakable joy. I saw the king rule more wisely, the laborer return from his toil to a happier home, the park grow green with an intenser culture, the harvest-field groan under the sheaves of a more prudent and prosperous husbandry; adown blue slopes came new and more populous flocks, led by unvexed and gladsome shepherds, a thousand healthy vineyards sprang up above their new-raised sunny terraces, every smallest heart glowed with an added thrill of exaltation, and the universal rebound of joy came pouring up into my own spirit with an intensity that lit my deity with rapture. And this was only a poor hasheesh - eater, who, with his friend, walked out into the fields to enjoy his delirium among the beauties of a clear summer afternoon! What, then, of Pythagoras?The tendency of the hasheesh - hallucination is almost always toward the supernatural or the sublimest forms of the natural. As the millennial Christ, I have put an end to all the jars of the world; by a word I have bound all humanity in etern alligaments of brotherhood; from the depths of the grand untrodden forest I have called the tiger, and with bloodless jaws he came mildly forth to fawn upon his king, a partaker in the universal amnesty. As Rienzi hurling fiery invective against the usurpations of Colonna, I have seen the broad space below the tribune grow populous with a multitude of intense faces, and within myself felt a sense of towering into sublimity, with the consciousness that it was my eloquence which swayed that great host with a storm of indignation, like the sirocco passing over reeds. Or, uplifted mightily by an irresistible impulse, I have risen through the ethereal infinitudes till I stood on the very cope of heaven, with the spheres below me. Suddenly, by an instantaneous revealing, I became aware of a mighty harp, which lay athwart the celestial hemisphere, and filled the whole sweep of vision before me. The lambent flame of myriad stars was burning in the azure spaces between its string, and glorious suns gemmed with unimaginable lustre all its colossal frame-work. While I stood overwhelmed by the visions, a voice spoke clearly from the depths of the surrounding ether, "Behold the harp of the universe!" Again I realized the typefaction of the same grand harmony of creation, which glorified the former vision to which I have referred; for every influence, from that which nerves the wing of Ithuriel down to the humblest force of growth, had there its beautiful and peculiar representative string. As yet the music slept, when the voice spake to me again -- "Stretch forth thine hand and wake the harmonies!" Trembling yet daring, I swept the harp, and in an instant all heaven thrilled with an unutterable music. My arm strangely lengthened, I grew bolder, and my hand took a wider range. The symphony grew more intense; overpowered, I ceased, and heard tremendous echoes coming back from the infinitudes. Again I smote the chords; but, unable to endure the sublimity of the sound, I sank into an ecstatic trance, and was thus borne off unconsciously to the portals of some new vision. But |

